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Shady Trees in a Summer Landscape (夏木垂陰)
Dong Qichang (董其昌, 1555-1636), Ming Dynasty (1368-1644)
Hanging scroll, ink on paper, 321.9 x 102.3 cm, National Palace Museum, Taipei
According to the inscription by Dong at the top of this work, it is an
imitation done from memory of a Dong Yuan (董源, 10th c.) painting that he
had seen and also combined with the style of Huang Gongwang (黃公望,
1269-1354). This, however, is no strict copy. The unmistakable syncretic
style of Dong Qichang is evident in everything from the winding force
of the composition down to the built-up brushwork. The strokes, derived
from Dong Qichang's calligraphic style, emphasizes the movement of the
brush as well as variety in the ink tones to create layers of form and
change in the painting. The work, especially when viewed from a
distance, reveals the characteristic contrast of light (paper) and dark
(ink) that seems to give the landscape an almost three-dimensional
quality within the Chinese art tradition of juxtaposing solid and void.